12/8/2023 0 Comments Mixbus v8![]() This is our way of giving back to the pro audio community that we helped pioneer nearly 50 years ago. Mixbus is different than every other DAW: a large part of our development is published as a collaboration with the Ardour open-source community. Scroll down to learn more about the XT-CQ, and click the button to purchase the XT-CQ along with your v8 upgrade! This is arguably our best EQ ever, with the sound of our MPC digital console plus an innovative Search Bar to help you find and fix troublesome frequencies. V8.2 introduces a great new plugin, the XT-CQ Console EQ. This week, we launched a further update, v8.2, which includes dozens of user-suggested fixes and improvements: Plugin Presets, Sound-On-Sound recording, Quick Export, a new Loop Download Manager, and more. Version 8 also includes native support for Apple's M1 processors. Some of the features in version 8 include Mixer Scenes, Clip-launching with Cues, and a collection of bundled content. ![]() We've made improvements in every dimension of Mixbus: sound, features, usability, and stability. I will concede that there are setups that would come closer to that sound( perhaps Harrison's strip and even that has an asterix), but my way too long point is I struggle to find scenarios that make DAW jumping a better use of time than creating your own simplified workflow where your work is already living.Upgrade to v8 now, for the regular upgrade price of $79, and you can get our newest plugin XT-CQ Console EQ included FREE with your upgrade! No, it doesn't sound like Harrison, but the simplified workflow gives me something similar to what my main purpose if using Mixbus would be. I also have a sort of sizzle buss with new fangled audio saturate and a high pass filter and boost( I use very little since Amek has saturation). I have three verb sends( little plate, supermassive and stock). I have Echo Boy on 2 effects sends ( one ping pong and one set to 1/8s). My newest ST1 template is Amex 9099 on all channels and busses with a Softube Drawmer 1973 on my mixbus. This workflow can be achieved in any DAW after a one time template setup. Part if the results one gets when using Mixbus are a result of following a simplified workflow. I will occasionally mix a project I received as stems on Mixbus, but the colorization I get in Mixbus is just not worth the process to move from another DAW. If Mixbus did AAF import natively it would be an improvement, but as it stands, the process now involves having to delete silence on every track I import. ![]() The software runs on Windows 7 or higher (64 bit), macOS 10.10 or higher and Linux. If you own the previous version, you’re most likely eligible for a discounted upgrade, although we don’t know the price at this point. I have tried the bounce stems to mix in mixbus approach and the time never seemed worth it. Price and compatibility Harrison Mixbus32C v8 is now available for USD 349. Harrison even sells channel strip plug now. ![]() I have templates in studio one and Cakewalk( since this is a cakewalk forum) that have simple console style channel strips on every channel and buss. It sounds good, but for me that comes down to a combination of the consistency of having same channel strip and saturation on every channel. With that said, the main appeal is the sound, which I am still not convinced is as magical as people make it out to be. I will preface this by saying I never updated past v4 so I am far from an expert. How’s the transition between other DAWs and Mixbus? Who’s using Mixbus? My main DAW is Studio One Pro (which I’m comfortable with). ![]() I hope to actually finish a project to justify a future upgrade. I purchased V6 and 32C V7 (having spent a grand total of $19 + $49), but haven’t completed a project with them yet. I connect with Mixbus having learned sound on old analog sound boards (lower end Mackie, Yamaha, Soundcraft). ![]()
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